May It Be To The World… The Signal of Arousing Men to Burst the Chains: Thomas Jefferson’s Last Letter

Titled The Last Letter of the Illustrious Statesman Thomas Jefferson, Esq. / Author of the declaration of Independence: / Being His Answer to Join the Citizens of Washington in Celebrating the Fiftieth Anniversary of American Independence, the fascinating Broadside pictured above was published at the time of Jefferson’s death on July 4th, 1826. It features the text of the letter written by Jefferson, reluctantly declining an invitation to appear at the 50th Anniversary Celebration of America’s Independence, due to his poor health. In the letter, he fondly remembers those who gathered together at Philadelphia in 1776 to draft the monumental document declaring American independence and the right of all men to govern themselves. In a language that resonates to this very day, Jefferson articulates his belief that eventually, the citizens of all countries around the world will be inspired by our Declaration of Independence to demand self-rule and the freedoms that we so cherish in this great country.

The content of this historic letter is as relevant today as it was 184 years ago. The words of the great, though aged, statesman still fill one with both pride and a sense of moral responsibility to the values of freedom and self-government, articulated so well by our Founding Fathers!

On July 4th, 1826, the 50th anniversary of American Independence, two of the greatest of the Founding Fathers– Thomas Jefferson and John Adams– passed to their final rest. Like today, mindless and self-serving political differences in the United States caused one faction to lionize Jefferson and ignore the death of Adams while the opposition praised the life and work of Adams and made little mention of the “Sage of Monticello.” But long before, Jefferson and Adams had become personally close and exchanged regular correspondence. Both had come to realize that it was not political leanings that define a Patriot, but rather a commitment to freedom for all citizens and a respect for the views of those who honestly and thoughtfully disagree with one’s own opinion are the measure of a true American.

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Walk in the Clouds: Samuel Bourne’s Photographs of “Cashmere” and the Himalayas

 

The photographs scattered throughout this post and all from a spectacular, circa 1867, finely bound, large folio album. Each is an original, stunningly beautiful, large format Albumen photograph of the Himalayan Mountains and the region of Kashmir by the preeminent, 19th-century British travel photographer Samuel Bourne– renowned for his prolific seven years’ work in India, from 1863 to 1870.

The album, titled Cashmere, contained 38 of the most beautiful, original, circa-1867 Albumen photographs taken during Bourne’s 12-month, 1866-7 journey through the Himalayas to the region then known as Cashmere (or Kashmir). Seldom does a collection of these breathtaking Albumen photographs come to light, and the volume described here is an untouched, complete album of views documenting Bourne’s epic journey.

The Album itself is sumptuously bound in heavily chamfered leather with elaborate decorations in gold gilt, red, green, and black decoration. The board designs have an air of an exotic, Arabic text, and gold gilt lettering in the central panel on each cover reads simply: “Cashmere.”

Contained within the album are 44, light- to medium-weight card leaves on which are mounted 38 images in total– 27 are rare, full plate images measuring 11 1/2″ x 9 1/2″ which are (obviously) mounted one to a page. There are also 9 photographs measuring 7 1/2″ x 4 1/4″ and 2 measuring 3 3/4″ x 4 1/4″. Each photograph is surrounded by a double, hand ruled, line border in blue and black inks. Below each image, there is a hand-lettered title done with gold and blue inks, in an exquisite, Gothic-style Calligraphic font. The leaves with mounted photographs are hand numbered with Roman Numerals I through XXXIII.

The included photographs are some of the most stunningly beautiful, mid-19th century “travel” images we have ever come across. The first 26 Photos document Bourne’s journey through the Himalayas, while the final 12 are views that were taken in the region of Kashmir.

Arriving in Calcutta early in 1863, British Landscape Photographer Samuel Bourne initially set up in partnership with an already established Calcutta photographer, William Howard. They moved up to Simla, where they established a new studio, Howard & Bourne, to be joined in 1864 by Charles Shepherd, to form Howard, Bourne & Shepherd. By 1866, after the departure of Howard, it became Bourne & Shepherd, which became the premier photographic studio in India.

 

When Samuel Bourne set off on his nearly 12 month sojourn to the Kashmir region of the Indian Sub-Continent, he journeyed with an immense amount of equipment and personal luggage. Everything needed to be carried on the backs of, what he called, “coolies“– human pack animals. Included were 2 very large wet plate cameras and 250 12″x10″ glass plates and 400 8″ x 4 1/2″ plates, not to mention the tremendous amount of chemicals, darkroom equipment, lenses, tripods, etc. In all there were 42 men employed in carrying Bourne’s equipment on this epic undertaking.

Working primarily with a 10×12 inch plate camera, and using the complicated and laborious Wet Plate Collodion process, the impressive body of work he produced was always of superb technical quality and often of artistic brilliance. The images contained in this album attest to his skill and artistic genius. His ability to create superb photographs whilst traveling in the most remote areas of the Himalayas and working under the most strenuous physical conditions, places him firmly amongst the very finest of 19th-century travel photographers.

 

We believe that the photographs contained in this album were printed out sometime between 1867, when Bourne returned from Kashmir, and 1870, when he returned to England after 7 years in India. Upon returning to his homeland, Bourne expended most of his energies in non-photographic business endeavors. Although continuing to photograph as a relaxation, and belonging to the local Photographic Society, much of his creative energy from this time onwards was devoted to water-color painting. Bourne is justly regarded as one of the finest landscape and travel photographers of 19th-century India; combining a fine eye for composition with high technical expertise.

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Walking on Air, Fairest of the Fair: Miss America 1924, Ruth Malcomson

Ruth Malcomson (April 16, 1906–May 25, 1988) was crowned Miss America in 1924, earning the title at the tender age of 18. Stunningly beautiful by the standards of any era, Malcomson, a native of Philadelphia, Pennsylvania, was the amateur winner in the 1923 Miss America contest and returned in 1924 to defeat incumbent Mary Campbell, who was seeking her third consecutive crown. Malcomson was only the third woman to hold the title of Miss America, with her victory coming in the fourth pageant held at Atlantic City. At the time, being only a couple of years old, the beauty contest was sometimes still referred to as “The Atlantic City Pageant,” with the winner called “The Golden Mermaid.”

According to the Miss America website, the first winner to embark on a Tour of Europe was BeBe Shopp in 1948, but a recently uncovered collection of photographs show Ruth Malcomson in France, England, Spain, Italy and Algiers in what is believed to be the summer of 1925. Ruth and her parents were obviously accompanied by a professional photographer, and the trip resulted in a collection of 277 outstanding images of the stunningly beautiful Miss America, her family, and the countryside through which they traveled. Only 34 of the photographs, however, include the young Miss America herself.

Each of these wonderful, original photos measure approx 4 5/8″ x 3 5/8″ and each is printed in rich, warm tones on printing out paper of the period. Each photo carries the full backmark of Philadelphia Photographer H. Armstrong Roberts– the originator of what we know today as the “Stock Photography” business– the selling / licensing to publications of stock photographs under copyright for single use. It is quite likely that this tour was not an official “Miss America” activity, but certainly the fact that a professional photographer accompanied the Malcomsons made this much more than a family vacation.

This collection of photographs was originally obtained directly from the estate of Ruth Malcomson some time ago and we were able to determine that H. Armstrong Roberts Company (still today one of the major suppliers of Stock Photographs) does not have these images in their archive. We were able to find less than a handful of period photographs of the 1924 Miss America in the public domain and we believe that the original, cci1925 Photographs in this group here are all likely the only examples of each image in existence!

 

Besides the 34 Photographs which include Ruth Malcomson (most also include her mother and some her father also) the Collection includes 62 photo views of Algiers (including fantastic street scenes); 55 photo views of Brittany, Normandy, Biarritz, Alsace and The Riviera; 51 of the South of France, including Marseilles; 7 views of Spain; 24 photos of the Loire Valley, Provence, and Avignon and 44 photographs of the Pyrenees and Alps. All of the Photographs were obviously taken on the same trip and are identical in format, artistic style and quality.

If you’d like to learn more about this piece, further details can be found at our eBay listing.

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A Sultry Beauty: 1905 Advertising Match Safe

This beautiful, circa 1905, celluloid-wrapped, advertising pocket match safe has a fascinating back story connecting it to illegal gambling in the Big Apple at the turn of the 20th century. The Match Safe (or “Vesta” as it is called across the pond) features a chromolithograph image of a beautiful young woman in the “Pretty Girl” style of Angelo Asti. The sultry young beauty wears an exceptionally low cut dress which exposes her bare shoulder and much of her ample bosom. She stares dreamily to the right with her flowing auburn hair draped seductively over her left shoulder. The opposite side features advertising text that reads simply “Compliments of / Joseph Levy / Merry Xmas.”

Although there is no information regarding the identity of “Joseph Levy,” we did find that in 1903, a Joseph Levy owned a Saloon / Barroom on Montgomery Street in New York City. In July of that year, Levy was arrested and taken to jail for running a “policy parlor” at his saloon. Policy was a form of gambling similar to Keno, as played in Casinos today. Participants would wager on a number and once all bets were in, a number would be drawn from a barrel and the winner paid off with money collected from the losing bettors. This was illegal gambling, hence Levy’s arrest.

Not only a beautiful match safe but a wonderful Christmas Gift from your neighborhood “Policy Parlor!”

Merry Christmas from the Walnutts Antiques family to yours!

If you’d like to learn more about this piece, further details can be found at our eBay listing.

For more information on Match Safes, you can check out the site for the International Match Safe Museum!

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American Tragedy: Hanging of the Dakota Sioux, Hayes Lithograph

Above, you will find a fascinating– though exceptionally disconcerting– image that captures one of the lowest points in the history of the treatment of Native American Peoples by the government and citizens of the United States.

The print depicts the largest mass execution in the history of the United States when 38 Dakota Sioux were publicly hanged on a single scaffold platform. Although this was a truly horrific act, perpetrated by the United States Federal Government, it could have been MUCH worse– 303 Dakota were sentenced to be hanged by the trial court that sent these 38 to the gallows and, if not for the commutation of the sentences of 264 of the men by President Abraham Lincoln, this scene would have been repeated over and over again (Lincoln allowed the execution order for 39 of the Dakota, but one man given a reprieve).

The image depicts the gallows scaffold in the center, on which the condemned stand, each wearing a hangman’s noose. A large American Flag flies from a towering flag pole next to the scaffold. Surrounding the gallows are double ranks of U. S. Army foot soldiers and an outer ring of mounted cavalry. At the foreground right, there is a crowd of civilian onlookers, and at the left horse drawn, open wagons awaiting to remove the bodies of the condemned men. The lithograph captures the moment before the floor of the gallows was to drop open with the cutting of a single rope. Although the crowd is large, the image presents an almost eerie sense of pause and silence.

This image is taken from a drawing done by a newspaperman who attended the execution in 1862, and it was published in a crude and small size stone lithograph at the time. In more modern years, it appeared in a contemporary issue of Harpers Weekly. This chromolithograph by Hayes is the first (and only 19th century) high quality, color lithograph of the event. Examples of this 1883 Hayes Lithograph hang in various collections and galleries around the country, and are highly prized.
The Dakota War of 1862, also known as the Sioux Uprising (and the Dakota Uprising, the Sioux Outbreak of 1862, the Dakota Conflict, the U.S.–Dakota War of 1862, or Little Crow’s War), was an armed conflict between the United States and several bands of the eastern Dakota people (Sioux). It began on August 17, 1862, along the Minnesota River in southwest Minnesota. It ended with a mass execution of 38 Dakota men on December 26, 1862, in Mankato, Minnesota.

Throughout the late 1850′s, treaty violations by the United States and late or unfair annuity payments by Indian agents caused increasing hunger and hardship among the Dakota. Traders with the Dakota previously had demanded that the government give the annuity payments directly to them (introducing the possibility of unfair dealing between the agents and the traders to the exclusion of the Dakota). In mid-1862 the Dakota demanded the annuities directly from their agent, Thomas J. Galbraith. The traders refused to provide any more supplies on credit under those conditions, and negotiations reached an impasse.

On August 17, 1862, four Dakota killed five American settlers while on a hunting expedition. That night, a council of Dakota decided to attack settlements throughout the Minnesota River Valley to try to drive whites out of the area. There has never been an official report on the number of settlers killed, but estimates range from 1200 to 1800. Over the next several months, continued battles between the Dakota against settlers and later, the United States Army, ended with the surrender of most of the Dakota bands. By late December 1862, soldiers had taken captive more than a thousand Dakota, who were interned in jails in Minnesota.

In early December, 303 Sioux prisoners were convicted of murder and rape by military tribunals and sentenced to death. Some trials lasted less than 5 minutes. No one explained the proceedings to the defendants, nor were the Sioux represented by a defense in court. President Abraham Lincoln personally reviewed the trial records to distinguish between those who had engaged in warfare against the U.S. versus those who had committed crimes of rape and murder against civilians.

Henry Whipple, the Episcopal bishop of Minnesota and a reformer of U.S. policies toward Native Americans, urged Lincoln to proceed with leniency. On the other hand, General Pope and Minnesota Senator Morton S. Wilkinson told him that leniency would not be received well by the white population. Governor Ramsey warned Lincoln that, unless all 303 Sioux were executed, “[P]rivate revenge would on all this border take the place of official judgment on these Indians.” In the end, Lincoln commuted the death sentences of 264 prisoners, but he allowed the execution of 39 men.

This clemency resulted in protests from Minnesota, which persisted until the Secretary of the Interior offered white Minnesotans “reasonable compensation for the depredations committed.” Republicans did not fare as well in Minnesota in the 1864 election as they had before. Ramsey (by then a senator) informed Lincoln that more hangings would have resulted in a larger electoral majority. The President reportedly replied, “I could not afford to hang men for votes.”
One of the 39 condemned prisoners was granted a reprieve. The Army executed the 38 remaining prisoners by hanging on December 26, 1862, in Mankato, Minnesota. It remains the largest mass execution in American history. In April 1863, the rest of the Dakota were expelled from Minnesota to Nebraska and South Dakota. The United States Congress abolished their reservations.

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